Showing posts with label Bruntwood. Show all posts
Showing posts with label Bruntwood. Show all posts

Sunday, 8 June 2008

It's like fellwalking

Ever climbed a fell and seen the top. Then you get to the top and find it was just a bump and the real top is still to climb. Then you get to the top and find it was just a bump and the real top is still to climb. Then you get to the ....

Well this first nearly half a year has felt a bit like that.

I've been working hard on my bad habit of overwriting. Having come in from a prose background it has been hard to cut the description and action down to the minimum. I love those vivid phrases and all the detail. But if I want to do that I should be tackling a short story or a novel.

Instead I've had to think of the script as a technical document. Something that will be read and used by both the creative and the technical sides of the industry. That isn't too bad because I write technical reports every day. I've found the toughest part has been mastering the balance. It is still a creative document too and so shouldn't be cold, clinical and formulaic. In other words don't be boring.

I think I've hit the balance now but time will tell.

I've also seemed to be chasing deadlines. Don't know if Spring is usually this hectic or whether I've just become more aware of it this year.

I started with loads of deadlines ahead and thought I'd just see how many I'd hit. I quickly realised I'd have to prioritise. What did I stand a chance on and what would expand my portfolio if I missed. That's kept me pretty busy.

I made about 25% of them which was still a lot more than if I'd ambled along writing specs as the mood took me. I need deadlines. I regret not managing to hit Bruntwood. Yes I know the deadline is still four days away but it has to be posted and I don't want to send off an early draft. The work isn't wasted though. The subject fits into Protect The Human too.

I haven't stopped my spec work though. Three features at different stages, an hour long TV drama and a radio play. Plus I need to get back to every1sacritic because the new deadline is on its way.

So does it ease up? All these deadlines? Or do you crumble into a mess.

Mmmmm. Crumble. Off to get pudding now.

Monday, 26 May 2008

Taking a Break

My Sharps script is progressing but not quite at the speed I'd hoped.

I was travelling again so I thought I'd have time in the hotel room to get some serious writing done. Sadly I had delayed flights, taxi drivers with less sense of direction than me (I can get lost in Tescos) and a hotel room a few inches from a main road. I'm used to country life so street lights, sirens and traffic meant I averaged 3hrs sleep a night.

So back home I had to knuckle down to some serious writing time. I've just finished the 1st draft. Or rather the "spewing it out so you can make sense of it" draft. I'm just taking a break so I can go back and check it with fresh eyes. Not a horror so I'll stick to mine.

I will check that it hasn't rambled off on a tangent, read it as each character to make sure they stay consistent and then make any modifications. It will then go out to those nice victims who have volunteered to read it and rip it to shreds. Then I'll lick my wounds and start at it again.

I had hoped to enter Bruntwood too but I don't think I'm going to make it. I love my idea and it is blocked out well so I'm going to write it anyway but I don't want to kick off a first draft. It might still be ready in time but I'm not going to rush something out that is half baked. And it does fit nicely into the Protect the Human competition so I can submit it there.

Right. Going to potter about for a bit to see what you've all been up to. Read the Sharps script again then off to see Indie. Evening planned.

Sunday, 11 May 2008

Cutting Scenes and Characters

So what have I been working on recently.

Well I finally got back to where I was when I lost my feature plot structure. It took a while because I decided to work it from scratch rather than try to remember it all.

The theme and basic story have not changed but the way I'm presenting it has, again. I think the result is much tighter than before. The big change was moving one sequence from Act 2 to the start. This allowed me to introduce the tone and a taster of most of the characters within the first couple of pages and I could then bin about 4-5 scenes from Act 1.

I'd been told on a course to consider seriously shuffling scenes as part of the writing process but had only made small changes before. A token effort. I'm going to have to make myself do this more.

However all this change has a sad note because I've lost another two characters in the process. One wasn't too painful but the other has been a core element of the story since its first conception three years ago. In fact it was the first character that appeared, triggering the story in the first place. I was really attached to that alcoholic sheep but he will just be a cameo now.

I've also been working on a piece for Sharps and another for Bruntwood. I got the rough storyline sorted for each then let them germinate for a week. With deadlines looming this was hard to do but I am much happier with the results.

Dave hates this stage. I wonder around with a notepad jotting down any random thoughts. Conversations trail off, I become glazed and then a stream of frantic scribbling. Even worse I do this at night too so lack of sleep makes me grouchy.

Now I've just got to write them. The easy bit. Teee Heee Haaa Haaa. More manic giggling...