So I'm still working away on my lead character, Alex.
Finding contrasts in his character are easy. Naive but highly educated. Cowardly but brave. A dreamer but a realist. And lots more. It helps because he's a bit unstable anyway so you are soon on a roll.
The hard part is identifying the theme. You've really got to dig into your story and cut out all the superficial stuff. I suppose if I really had a handle on it the theme would jump out at me. So I'm tackling it by negating the negation.
I'm finding what I think is the theme, then what is the positive of it, the negative, in between and the absolute extreme worse (NotN). I then look to see if these are in the story. I keep on doing it until I'm sure I've pinned it down.
Our tutor, Karen Bird, has chucked lots of good examples at us. I've given one of them here. If the theme is letting go then the positive is letting go of someone (of course), the negative is holding on, the intermediate is the relationship and the NotN is for someone to be taken away.
So it is the NotN that makes it a really satisfying story. I had a go at applying it below. Harder than I thought to write one rather than check one. Option A only uses three of the four. Option B uses the lot. Which do you prefer?
Sally has a teenage daughter, May. May wants to go out with her friends in the evenings but Sally is scared she will get hurt. It's a bad world out there. So she makes her come home straight from college and she is not allowed out on her own.
Option A
May sneaks out at night and goes drinking with her friends. Sally discovers her out of her head one morning. She forces her to rehab. Finally,with Sally's support, May is clean and ready to start a new life. But it needs Sally to trust her and let her live it. Sally is scared it will all happen again but realises she has to trust May and so lets her go.
Option B
May sneaks out at night and encounters a pusher. She never makes it home. Sally has to search long and hard but finds her on the streets prostituting to feed her habit. She gets May out and supports her recovery from the drugs and psychological damage. Finally May is clean and ready to start a new life. But it needs Sally to trust her and let her live it. Sally is scared it will all happen again but realises she has to trust May and so lets her go.
Both read like TV movies but I'd rather watch B than A. Sally isn't just struggling to keep May, she has her taken away and has to find her. Sally and May have been pushed to the limit. And that final act of trust puts more at risk in B than A.
Of course I may not have applied it all correctly because it's my first go. Still I'm going to master it if it kills me.
Just another aspiring screenwriter getting a headache as she tries to headbutt her way in.
Tuesday, 29 January 2008
Sunday, 27 January 2008
Negating the Negation
I've spent the weekend on the first part of a script development course. Really useful and, like any good course, you come away with lots of energy. Must the be the buzz of having a bunch of creative people crammed into one room.
Hope that energy will get me through my homework on negating the negation . Sounds scarier than it is, honest it really does. Of course that might just be because I'm deluding myself and don't understand it at all. Well you'll know after next weekend. If I'm right then I'll put an example up. If I've got it wrong then I'll collapse in a cringing mess and write nothing.
Also got to work on my protagonist's emotional tears, that's in rips not a blubbering mess. There again that's what I might end up after attempting it. All because I'm confident and insecure too. There you go, a tear.
Back to Bashing the Killer Keyboard.
Hope that energy will get me through my homework on negating the negation . Sounds scarier than it is, honest it really does. Of course that might just be because I'm deluding myself and don't understand it at all. Well you'll know after next weekend. If I'm right then I'll put an example up. If I've got it wrong then I'll collapse in a cringing mess and write nothing.
Also got to work on my protagonist's emotional tears, that's in rips not a blubbering mess. There again that's what I might end up after attempting it. All because I'm confident and insecure too. There you go, a tear.
Back to Bashing the Killer Keyboard.
Friday, 25 January 2008
The beginning
So I've finally done it. I've stopped lurking around other blogs and started my own. Don't know if it will last but lets see.
Problem is these places are as addictive as chocolate. Innocent lurkers watch out, they draw you in. Soon you'll be so busy reading you won't be writing anymore. And then you have to have a go to.
Run! While you can!
Still here? OK. A bit about me. I've been writing for a couple of years with mixed success. As in from "Very funny but not what we're looking for at the moment" to deafening silence. But I dust myself down and keep at it.
And just for an extra challenge I do it all while living in the middle of nowhere! Wouldn 't be fun if it was easy.
Well if this all goes pearshaped I shall blame it on the infamous Lucy who's made us all sign up if we want to keep making comments on her blog. Hi Lucy.
Problem is these places are as addictive as chocolate. Innocent lurkers watch out, they draw you in. Soon you'll be so busy reading you won't be writing anymore. And then you have to have a go to.
Run! While you can!
Still here? OK. A bit about me. I've been writing for a couple of years with mixed success. As in from "Very funny but not what we're looking for at the moment" to deafening silence. But I dust myself down and keep at it.
And just for an extra challenge I do it all while living in the middle of nowhere! Wouldn 't be fun if it was easy.
Well if this all goes pearshaped I shall blame it on the infamous Lucy who's made us all sign up if we want to keep making comments on her blog. Hi Lucy.
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